Wednesday, April 8, 2015

Special Event Attendance: The Icing (Jan Hřebejk, 2014)


I attended a special premier of Jan Hřebejk’s last feature, The Icing, at the Czech That Film Festival at USC on March 31, 2015. Based on a play by Petr Kolečko, the film tells the story of an unusual wedding ritual, where the bride is ‘kidnapped’ by the maid of honor. The two show up at a remote pub during the Ice Hockey World Championship, where the barmaid has bet all her lifesavings on the winner. While the three get drunk drinking the house special, ‘Icing,’ secrets are spilled, lies uncovered, and unintentional romances discovered.
With its fast pacing and confined setting, the film’s conversation comedy becomes universal within the conventions of the romantic comedy genre, yet very European in its approach, representative of Czech New Wave cinema a period of social critique probing questions of Czech identity and culture. The maid of honor, also the groom’s best girl, has been sleeping with the bride’s fiancé! A later scene between the husband and his best man reveals his intentions – she’s a Slav girl and he, as a respectful Czech, must ‘tame’ her. His comments are reminiscent of the specific East/West tensions touched up on in Im Juli, as well as representative of traditional gender hierarchies. The ethnic boundaries between Czech and Slav insert themselves into many issues within a gendered ceremony.
Touching upon European practices of homophobia, closeted homosexual tendencies often become the butt of the joke, for females and males alike. In order to escape the drunken rampage of the bride upon realizing she slept with her husband a week before the wedding, the maid of honor admits to being a lesbian. The bride demands she prove her ‘lesbianess’ by sleeping with the barmaid. Only after sleeping with the barmaid, does the maid of honor confess she’s not a lesbian and is deeply in love with the groom. The sequence implies a flexibility of gender, which acts more as an accessory rather than a genetic trait in this film. Just like ethnicity, one wears his of her gender as an article of clothing, subject to the manipulative objectives of its owner. Indeed, beneath the icing, lies a complex array of secrets.

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